as the crow flies

I go home

by the long route

weather report

icy pavements

the Dow Jones falls

gooseshit covered grass

but no geese

gone

between mince pies

a child is born

on the ground

discarded condom

full of dreams

opening the book

memories fall to the floor

boarding pass bookmark

pen...paper

panic...

haiku gone

Christmas cards

each year leaves me

with more stamps

meditation

my still small voice

will not shut up

thought arises

the haiku moment

but no pen

new haiku book

engrossed

my coffee grows cold

morning river run

invisible seagulls

laugh their heads off

No more haiku

In my head

So I write this little poem 

Instead

on silent hooves

white horses gallop home

from the turbulent sea 

sliced scentless fish

glides past

the sushi eaters

dreaming of tadpoles 

the old frog

passes away

Ligurian sunrise

Genovese cruise ships

full of hopes

descending slowly

over Turin

shrouded in mist

snow-tipped Alps

passing beneath me

I drink coffee

pen poised

full of ink

but no haiku flows

ideas have expired

but

the meeting goes on

near the end

the old cat jumps

and misses

clocks change
we cash in
our dayling savings

leaves rustle

on the doormat

Autumn visitors

something flutters

high in the tree

plastic bag

Navarrene mountains

obscured by rain

as the leaves fall

angry thoughts 

thrown in the water

harbour no grudges

refuse pile

eyes raised

Lincoln Cathedral

Sicilian sea

early morning boats bob

and catch the moon

proud poppy seller

with early morning medals

lest he forgets

the ploughman
his thoughts mingle
with the gulls

Published (2018) Blithe Spirit (Journal of the British Haiku Society) Volume 28, Number 1, page 19.

LHA Ref:

Blithe Spirit 28.1, February 2018

Living Haiku Anthology

The Haiku Registry

what will it be

today the old frog thinks

water or air?

prostitute

pulling at hearts

tugs at shirtsleeves

Nanjing Road East

prostitute

I think about it

Shanghai watch seller

for whom

I have no time

early morning

Shanghai runner

smoker coughs

skyscraper

etiolated

by pollution

game of cat and mouse
soon becomes
game of cat

***

cat and mouse game
soon
only the cat

****

game of cat and mouse
soon
only the cat

cigarette ends

floating in piss

Oriental urinal

beatiful valley
the scent of lavender
childhood memory

naked rowan tree

with limp red berries

and brown leaves

sun-bleached summerhouse

cries out for paint

but which colour?

leaves fall

from wind stripped branches

security light flashes

thieving blackbird

rips rowans

from my tree

plop and fizz

ice cube melts into gin

summer evening

at half mast
after the music
Old Glory

blackbird

gorging on rowan berries

makes way for winter

damp Autumn morning

beechnuts crushed underfoot

running joyfully

winter

peeps at me

over the horizon

swan with no beak
all bent up
over origami

the tap
         d
          r
          i
          p
          s
          into my mind

autumn
leaves me
with my thoughts

spring
clocks go forward
but I look back

autumn
I look forward
but the clocks go back

dark rainy morning

gymnasium staff

wait for the early birds

pretending not to look
I watch
the Star Wars movie

haiku torture

Basho

what were you thinking?

leaves

falling in summer

what is autumn for?

tree-lined avenue

leaf blanket thickens

birds in the sky

concentric rings

the tap drips

and tightens its grip

Chinese food smell

early morning Beijing bikes

I cross the road

pink streaked sky
a final pigeon
flies home

The seven deadly sins

uninhibited
the dogs have sex
and stop our car

one cat
two bowls
he eats them both

the time?
flash of expensive watch
one of many

one-eyed
the cat watches the mouse
but does nothing

captured
the prisoner
is summarily executed

the young lion
watches the old lion
and attacks

the obstacle
not seen
before falling

security light

shows Mr Fox

the way to my bins

silent shredder
graveyard
of all my thoughts

Published
Commended in the IAFOR Vladimir Devidé Haiku Award 2018

LHA Ref:

Commended, Vladimir Devidé Haiku Award 2018, April 2018

The results of the IAFOR Vladimir Devidé Haiku Award 2018 were announced by Professor Myles Chilton at The Asian Conference on Arts & Humanities in Kobe, Japan, on March 30, 2018. This year the award, now in its eighth year, received more than 700 submissions from 71 countries. The Grand Prize Winner, 12 Runners Up and 20 Commended entries were selected by His Excellency Dr Drago Štambuk.

Living Haiku Anthology

The Haiku Registry

haiku resources page

This page, which continues to evolve,

gathers together some useful online resources on haiku

British Haiku Society




Blithe Spirit (Journal of the British Haiku Society)

See also anotherkindofpoetry








Haiku Society of America







Frogpond (The Journal of the Haiku Society of America)









World Haiku Review

The Official Magazine of The World Haiku Club

The Heron’s Nest


The Heron’s Nest, founded in 1999, is a quarterly online journal. A new edition is published during the first week of March, June, September, and December. We publish multiple pages of fine haiku in each issue, plus three Editors’ Choice Haiku; one of which is presented with the Heron’s Nest Award, and receives special commentary. The Heron’s Nest also appears in a single annual paper edition anthology each April.


Kigo words

Haiku: The Poetry of Focus with Scott Mason (this is an excellent lecture on Vimeo)

modern Haiku

modern Haiku describes itself as: An Independent Journal of Haiku and Haiku Studies. A great deal of free content is available and a great description of what a good haiku and senryu should be like:

Haiku is a brief verse that epitomizes a single moment. It uses the juxtaposition of two concrete images, often a universal condition of nature and a particular aspect of human experience, in a way that prompts the reader to make an insightful connection between the two. The best haiku allude to the appropriate season of the year. Good haiku avoid subjectivity; intrusions of the poet’s ego, views, or values; and displays of intellect, wit, and facility with words.

The above is a normative definition, and haiku of various kinds not squaring with this definition can be easily found, even in the pages of our journal.

Senryu is a verse in the haiku form that focuses on human nature. Although Modern Haiku has a best-senryu-of-issue award, separate sections for haiku and senryu have been discontinued because we find it is impossible to draw a sharp line between the two in English-language verse.

The editors of Modern Haiku use the term “haiku” inclusively (and loosely) for both haiku and senyru and consider both for publication on an equal footing.

Speculations of Robert Spiess, the long-time editor of Modern Haiku

A Hundred Gourds

A quarterly online (free to access) journal of haiku and other forms such as tanka and haiga





Poetry Pea
A website for those who love to read, write and listen to Haiku. An especially nice feature of this webpage is the regular podcasts by Patricia McGuire and her efforts to write a daily haiku.

The Haiku Foundation

Daily email with one book to download weekly and some really good pages of haiku; subscribe (free) here

Mission Statement

The Haiku Foundation has two primary missions:

1) to archive our first century of English-language haiku,
and
2) to expand possibilities for our second.

All other haiku groups—from journals to societies to conferences—have been created to help the individual poet realize his or her creative dream, be it education, publication or social contact. The Haiku Foundation does not follow this model. THF instead is a series of projects organized not for poets per se, but for haiku itself. The realization of these projects will in due course help all haiku poets. The Haiku Foundation is where poets go when they want to give back.

The Haiku Foundation publish a journal of haiku scholarship: Juxtapositions

Haiga

Haiga is a Japanese concept for simple pictures combined with poetry, usually meaning haiku.

Shangri-La: James W. Hackett’s Life in Haiku

A fascinating article about the relationship between Haiku and Zen and the person who was James W Hackett







Vancouver Cherry Blossom Festival

The VCBF hold an annual competition for haiku related to cherry blossom and they also have two good resource pages on About haiku and Teaching haiku.





The Living Haiku Anthology

To be aware of who we are, where we are: to connect with ourselves, to connect with community. To be vulnerable, to taste exotic and familiar landscapes of poetry, to drink in words being drawn, to enrich our lives, to remind ourselves that in difficult times we are poets together.


The Wales Haiku Journal

The Wales Haiku Journal is an online journal of contemporary haiku poetry. The journal regularly publishes a wide range of haiku poetry and special features related to the haiku form. Featuring selections of work by internationally acclaimed and emerging haiku poets alike, it is the first English-language haiku journal to be released in partnership with a national arts publication. 








Presence (Britain’s 
leading independent haiku journal)

Presence is a haiku magazine, specialising in publishing high quality haiku, senryu, tanka, haibun and related poetry. It appears 3 times per year. Each issue is typically 80-100 A5 pages, and contains articles on haiku practice and book reviews in addition to the poetry.

We welcome submissions from experienced and new haiku writers alike. Before submitting for the first time, please have a look round the website to get an idea of the sort of work we are looking for.

The Australian Haiku Society

In December, 2000, Australian haiku enthusiasts banded together to form HaikuOz, The Australian Haiku Society.
MISSION

• to promote enjoyment of haiku within Australia,
• to bring Australian writers to the world haiku community.

MEMBERSHIP
Any person may be a member; there are no membership fees.


The Mainichi

The Mainichi is a Japanese daily newspaper that published haiku in English

Roadrunner

Roadrunner ceased to publish in 2013 but there is an archive of copies between 2004-2013.



The Mamba: Journal of the African Haiku Network

These are free to download at this link but the journal ceased publishing in 2017.

The Haiku Foundation Digital Library

A great online resource for free haiku journals.

Under the Basho

From the webpage:

Under the Basho is an annual organic journal in the sense that accepted submissions will be added to the journal as the year proceeds through the submission period from March 1st through to November 15th.

December 1st will be considered the publication date of the completed annual journal.

Mission Statement

Under the Bashō's mission is to solicit and publish a wide-range of haikai-derived writings as they are being manifested in the 21st century. See the article Haiku in English – A General Guide to Genre Distinction by Richard Gilbert.

In recognising the many trends in contemporary forms that stem from the Japanese haikai tradition, we have broken down what is being currently written into categories of differing approaches to form, technique, content, and style.


The Living Senryu Anthology

The Haiku Society of America states that:
A senryu is a poem, structurally similar to haiku, that highlights the foibles of human nature, usually in a humorous or satiric way.
A senryu may or may not contain a season word or a grammatical break. Some Japanese senryu seem more like aphorisms, and some modern senryu in both Japanese and English avoid humor, becoming more like serious short poems in haiku form. There are also "borderline haiku/senryu", which may seem like one or the other, depending on how the reader interprets them. Many so-called "haiku" in English are really senryu.

Acorn

Acorn is a biannual journal dedicated to publishing the best of contemporary English-language haiku. In particular, it showcases the individual poem and the ability of haiku to reveal the extraordinary moments found in everyday life.









Daily Haiku

DailyHaiku is a print and online literary publication that exists to promote and preserve the written art of haiku. DailyHaiku publishes the work of Canadian and international haiku poets, blending contemporary, experimental, and traditional styles to push the boundaries of English-language haiku. Through our special features section and invited poet series, DailyHaiku also aims to chronicle and explore the diverse and ever-changing landscape of contemporary haiku-related forms.

(Daily Haiku ceased publication in 2016)







Directory of Haiku Magazines

Millikin University students and others are encouraged to read, subscribe to and submit their original work to haiku magazines.

One of the best sources of information about current contemporary haiku magazines and web sites is located at:

Haiku Poetry Links, Guide to Internet and Print Resources,http://www.gardendigest.com/haiku1.htm edited by Michael P. Garofalo, also has a comprehensive set of links with helpful descriptions.

Creatix

Creatrix is the online journal of poetry and haiku published quarterly by West Australian Poets Inc., the peak poetry body in Western Australia. Established in 2006 as an incorporated not-for-profit organisation, WAPI is run by volunteers and relies on membership fees, ticket and book sales, donations, sponsorship and grants to fund all its activities.

Creatrix is concerned with the sharing of WAPI members’ poetry, so each quarter some fifty to sixty six per cent of poems submitted are selected ranging from poets who are first timers, to emerging and established poets. A heavy emphasis is on first timers in order to encourage them and help them get started into the world of poetry publication and distribution. A small lien is given to already published poems allowing them fresh circulation if the writer feels they should again come down from the shelf, but the source must be acknowledged. Only three poems per member can be submitted each quarter and it is rare for a member to have all three selected.

Selection of poems is therefore based on quality for established poets and regular contributors, or being a first timer or new contributor. This helps to build a comradely spirit amongst our members.

Interview with Alan Summers

An extensive interview with some good examples, advice and links to other useful webpages.









Haiku Spirit

An independent and bilingual space for haiku (Un espace indépendant et bilingue pour le haïku) - they publish Seashores.















Weird laburnum

Weird haiku. Modern haiku. New haiku. Western haiku. Gendai haiku. Short form. Minimalism. And beyond. [submissions: ma.obrien222@gmail.com] (only acceptance emails will be sent).















Heliosparrow Poetry Journal

We have no agenda for it other than the intention of creating an artistic and free-spirited community. As an outgrowth of this, Heliosparrow is a journal for the free expression of poetic thought and creative spaces of thought. We aren’t hung up on form or on single authorship and await the future spring.

Haiku Chronicles

A non-profit free educational podcast devoted to the art of haiku and related poetic forms.

Big Ben falls silent
at my age
will I ever hear him again?
(with thanks to Frank Skinner)

steep mountain path

I step over

the variegated leaf

we struggle uphill
how I envy
the waterfall

mountain moth

has Basho's spirit

followed me here?

arthritic fingers
losing a grip
on reality

ink stone grinding

and water blackening

before calligraphic strokes

ultimate sacrifice

the flower petal

loses its grip

painting the shed

memories of children

just memories

Discovering haiku

watch hands

no fingers

pointing to time

This was my first published haiku in Blithe Spirit (The Journal of the British Haiku Society) in 2017. I 'discovered' haiku over twenty years ago when I picked up The Haiku Hundred in a shop in Edinburgh. I read it with interest and occasional amusement, but without much appreciation and took little further interest. But I must have shown some interest in haiku as my wife bought me Haiku Poetry Ancient & Modern a few years later, after we had moved to Hull. It was here that I learned that haiku traditionally follow a format of seventeen syllables in three lines and I 'dabbled' with a few ideas. It is as well that these are all lost now - they were terrible and I was simply trying to be amusing; the 'spirit' of haiku had not been acquired. Like many things I start I gave up, my mind swamped by work and academic writing.

Almost twenty years on something happened and I have no idea what or, specifically, where except that it was on a plane. I think I read something about haiku - a genre of poetry I had barely heard about or thought about in years and immediately started to think and to see things about me in seventeen syllables. A quick Google and I learned for the first time - although it had been explained in the preamble to Haiku Poetry Ancient & Modern that there was more to the genre than seventeen syllables; there was also a 5:7:5 arrangement. This added to the challenge but I began to arrange the 'poems' I was writing in this way and then to break these down so that they scanned and the breaks in the lines made some sense. Looking back, some of these were terrible and not haiku at all - just doggerel - but it was keeping me amused on long-haul flights and long, lonely stays in foreign countries and it helped me to reflect on my time there. I decided not to be shy about this and created this Haiku blog and started posting my haiku; I am glad to say that many of these have been deleted. I also evolved the blog such that all haiku are lower case, have no titles and have no pictures related to them. There are different views on this; I think a haiku should stand-alone, but I may change my mind.

Back home after one journey I dug out The Haiku Hundred and Haiku Poetry Ancient & Modern and packed them for my next long-haul. I read all of the haiku contained in them again and it had not struck me, until this reading, that they were not all in the 5:7:5 format. I was having fun with that format and already - in my usual arrogance - considered myself a 'traditionalist'. Looking more closely at The Haiku Hundred I noted that there was a British Haiku Society and checked it out online. I immediately joined and received the most recent issues of Blithe Spirit and a newsletter and my eyes were really opened to the spririt of haiku. Many of the haiku were brilliant: moving; amusing; inspiring, and the essays were helpful in leading me away from the constraints of the 5:7:5 format and to experiment with shorter pieces and also to begin writing haiku that seemed more like haiku. In Blithe Spirit I also discovered other related forms of poetry: tanka; haibun and senryu (in fact, most 'haiku' are senryu - and mine are certainly mostly senryu). I also learned that haiku - strictly speaking - have the specific characteristics of a word indicating the season (a 'kigo') and a cutting word (a 'kireji') which breaks the haiku into two parts. I had seen frogs - one of my favourite animals - referred to frequently in haiku and had wondered why until I learned that this indicates spring. The frog features in the most famous haiku by the acknowledged founder and foremost expert in the genre, Basho:

Old pond

leap — splash

a frog.

Basho

This haiku exists in many translations; above is my favourite and a very common one. It is short and clear. The kigo word is obvious; I still have to be clear where the kireji is in every haiku and I am not always sure but I think in the above it is 'splash'. In Blithe Spirit haiku and senryu are presented together with no distinction and, likewise, in frogpond, the Journal of the Haiku Society of America, which I also joined.

One thing I have found very useful is sharing haiku and my Burmese friend - living in Singapore - Su Wai Hlaing has been very enthusiastic and helpful. She started by responding in kind to my early 5:7:5 'haiku' and then as we discovered more about haiku we began to adapt our styles. We have also been experimenting with renku and tanka. At the moment I think we need to improve our haiku! The cross-cultural and cross-religious aspect here has been intersting and helpful: Su Wai is Buddhist and I am a Roman Catholic. Of course, haiku has its roots in Zen Buddhism and I have to be clear, in my own mind, where I stand. My interest in Buddhism has certainly increased but my own faith has not changed. Haiku is for everyone.

Finally, I have enjoyed finding more resoures to read and where haiku can be shared such as the Facebook pages for The British Haiku Society and Sharing Haiku Knowledge. There is also, based in the United States, The Haiku Foundation who have a fun app THF Haiku where you can read haiku at random and from whom you can receive blog postings. They also offer a lot of free content such as books to be downloaded. I am building up my own library of haiku books but I will not list these as I think that would deprive you of the fun of discovering them yourself. However, I have created a Haiku resources page and here are the links to my published haiku: 'watch hands'; 'rising river steam'; 'the ploughman'. And some haiku sequences on SoundCloud: 'haiku poetry by Roger Watson'.

You can listen to this as podcast

cathedral

seen vaguely through trees

obscure religion

tanka

parallel speaker

with no hook

on my attention

my mind drifts

and I think of you

tanka

late summerhouse
light glow
insects biting
as we clink
gin glasses

fields

bald and stubbled

the farmer goes home

changing trains

but no connection

all strangers

'Fragrance' renku with Su Wai Hlaing - again, harder than we thought

reflecting
the signs of life
numbers on the screen

_ your Haiku made me think of loneliness so_

bored and alone
turning towards the window

today
even the cuckoo
is not singing any song

the first conker falls from the tree
and lies alone on the ground

the cold wind
takes away the last
rusted leave

_worried about losing my thoughts_

the thief of dementia
steals my memories

my old diaries
giving rooms for
memories

anyhow
life goes on with memories
drifted away

summerhouse in snow

a ghost

in the evening garden

old Bible

with recipes

for feeding souls

end of summer

rowan berries

without shame

light rain
Buddha's nose dripping
into cupped hands

Longlisted (2020) for The Awakened One

cool air

shivering trees

closing the summerhouse

Attempt at a related renku - not as easy as I thought - with Su Wai Hlaing

bird droppings

on the window sill

but no cat

food scattered on the table

no sign of a mouse

TV programme

children laughing

Tom and Jerry

last night's comedy show 

audience with laughing mouths

koi fish

gaping for food 

watched by a frog

little tadpoles paddle

following the mother fish

the flotilla

sails to sea

windows wave farewell

through the curtain

rosy-fingered dawn

Homer rises

A contrasting renku with Su Wai Hlaing

thoughts 

like marbles under my pillow 

steal my sleep

though blinded by stars

the gift of sleep comes

winter nights

even the lice on my cat 

are awake

yet shooting stars streak

across the summer sky

my forehead 

sparks with sweat 

in summer nights

the chill wind blowing outside

rattles the icicles on my window

sun melting snow

beyond the curtains

as I dream of sleep

rising river steam
cathedral bells chime
out of synch

Published (2017) Blithe Spirit, (Journal of the British Haiku Society) Volume 27, Number 4, page 18.

LHA Ref:
Blithe Spirit 27.3, November 2017

Living Haiku Anthology

This haiku was edited - and improved - by Shrikaanth Krishnamurthy, the original was:

cathedral bells
chiming out of synch
river steam rising

early morning

dog walking

steam rising

A linked renku with Su Wai Hlaing

new life

flows inside my daughter

as mine ebbs

fresh new leaves are symbols of 

another new beginning 

barley

the grain grows and ripens

then harvest

summer breeze carries along

smell of harvested barley

hammering

from a distance 

my late father

reminiscing my childhood 

my dad was the best singer

lullaby music

baby is listening

to silence

summer reclining
an ant
crosses my mind

Tried and failed to get above published so reworked to:

staring up at the sky

supine

an ant crosses my mind

barley

the grain grows and ripens

then harvest

white horse ginko

gliders and ginger beer

haiku hiking

morse code crows

on the line

but no message

glinting salmon
my world briefly
then his

Published cattails April 2019 page 29

Living Haiku Anthology

flash of magpie

tree bound

death on a stick

summer evening

doves

mock my silence

facing the wall
unseen
my father's paintings

smooth as silk

her body

between cotton sheets

summerhouse clock

ticking 

without talking

empty glass

still half full

of my emotions 

balmy evening

outside my window

a rowan tree

jungle road

fading into trees

what secrets?

winter walking

potato crisp noises

my feet are crunching

cicadas

in sun drenched trees

I seek shade

dragonfly hovering

long body

short life

long road

car journey

dreaming up haiku

betel nut trees

waving and stimulating

my imagination

Sun Moon Lake

sun struck water

reflecting on life

early morning incense 

cicada creaked trees

Taichung running

summer rain
swallows swooping
foot in a puddle

I submitted this following a 'when, what, where, prompt on 'sharing haiku knowledge' on facebook and receive the comment from Bee Jay:

"Usually a haiku contains one cut and two grammatical units. Your example reads like a list, unless you are showing us some swallows swooping somebody's foot in a puddle. Is that what you are showing us?"

Grateful to receive the comment I amended to:

summer rain
with swallows swooping
foot in a puddle

broken clock

still ticking

no time to fix

summer

rain on fishpond

brimful of ideas

disused station

deserted

by trains of thought

streams

silently surrendering

Hellvelyn summit

counting airport tiles

while time flies

boredom

summer rain
on city streets
no frogs
****

frogs
after the rain
even on city streets

Added to: Australian Haiku Society Autumn Equinox Haiku String 2019 (theme: City Life)

early morning
hotel gathering
smokers and runners

Tried and failed to get above published so reworked to:

hotel lobby

making an early start

smokers and runners

Published (2018) Failed Haiku Volume 3, Issue 36, p.18

Living Senryu Anthology

Living Haiku Anthology

bookshop cafe

nibbling

my new book

summer crop fields

farmer reaps

I sneeze

buzzing in my ear

dreaming of the dentist's drill

woke up mosquito 

stranded noodles

chopsticks clicking

far from home

crispy and tender

calamari

one less squid

snow tipped Dolomites

vapour trails hang below me

I am not the first

Ligurian coast

thick jasmine hangs in the air

with cigarette smoke

light on my face
there is no food
empty fridge

Tried and failed to get above published so reworked to:

empty fridge

hungry

but my face lights up

summerhouse
straw hat for sunny days
hanging

late spring
opening summerhouse
hoovering up dead flies

tea ceremony
facing water
Chiba

by the pond
looking in and staring out
Buddha and the frog

Hong Kong sequence

typhoon season
rain washed streets
wet feet

wind chasing trees
ghosts gathering ground
then silence

Star ferry
stirs up shit smelling water
fragrant harbour

with life leaving them
insects after the typhoon
wave from the pavement

listen to this as a podcast

Riyadh sequence

Allahu Akbar
eyes stinging dusty nostrils
the camel just blinks

searing Riyadh heat
the slow pace of Ramadan
as the pigeon flies

licking gritty teeth
the call to prayer goes out
how low the sun sinks

light fading fast
words dying in darkness
still the page is turned

Arabic incense
sickly sweet in the hot air
hitting my cold face

listen to this as a podcast

business cards

my recent visit

recorded in rectangles

no mobile signal

I cannot communicate

teenage angst

summer day
stroboscopic sun through trees
train journey home

charity shop window
old clothes
my father

Tried and failed to get above published so reworked to:

charity shop window
father's old clothes

and my reflection

homeless man smiles
uriniferous dribble
walk by

with life leaving them

insects after the typhoon

wave from the pavement

typhoon season

rain washed streets

wet feet

watch hands
no fingers
pointing to time

Published (2017) Blithe Spirit (Journal of the British Haiku Society) Volume 27, Number 3, page 55

LHA Ref:
Blithe Spirit 27.3, August 2017

Living Haiku Anthology

Published (2019) All the way home: aging in haiku page 294

typhoon chasing trees

ghosts gathering ground

then silence

Star ferry

stirs up shit smelling water

fragrant harbour

encountered briefs
not mine

infidelity

Tried and failed to get above published so reworked to:

at the office party
illicit fumbling
briefs encountered

rain mantra
pitted patterned puddles
Buddha reflecting

searing Riyadh heat

the slow pace of Ramadan

as the pigeon flies

Arabic incense
sickly sweet in the hot air
hitting my cold face

licking gritty teeth

the call to prayer goes out

how low the sun sinks

Allahu akbar
eyes stinging dusty nostrils
the camel just blinks

my name is yellow
standing next to an old friend
peeing in the snow

Tried and failed to get above published so reworked to:

peeing in the snow
not quite
my full name

Published (2018) Failed Haiku Volume 3, Issue 36, p.18

Living Senryu Anthology

Living Haiku Anthology

fading light
words dying in darkness
the page is turned

dust falling around
the silence after the bomb
speaks volumes

waving not drowning

turbine blades

undisturbed

light wind and slow turn

a farm without animals

electricity

summer barbeque
smoke rising
neighbours cough

the bank holiday

is always on a Monday

now I hate Tuesday

insect

drowned in my whisky

happy ending

a long bamboo pole

Chinese cartoon character

desperate Dan Dan

there are no more eggs

the chickens are not clucking

the old lady died

alone walking
Luzhou City

tallest

Allahu Akbar

out goes the call to prayer

nobody listens 

Anatolia
mountain tops covered in snow

Turkish scenery